Thoughts on Bohemian Rhapsody

bidrums:

-that was fucking great

-that was fucking great

-I’m definitely seeing it again

-the trailer for the Elton John movie played before and I lost it in the middle of the theater

-Littlefinger as their manager was great but I couldn’t help but think of Littlefinger being the manager and kept expecting Ned Stark to pop up to be betrayed

-Roger doesn’t lock himself in a cupboard but they still have him throwing a fit over I’m In Love With My Car 

-him throwing a fit over that song is great and the fact that it’s a running joke is even better

-the Hot Space argument was amazing

-I didn’t know that Roger was sent to be a dentist which is hysterical to me

-the cut from the rooster to “Galileo!” was perfectly done and the entire theater lost our shit at that bit

-when Mike Meyers’ character said that nobody would headbanger in a car to Bohemian Rhapsody there was an awkward closeup on him and honestly I’m glad they cast him for that because that joke was great

-Deaky in general was great

-all of them were perfect for the roles and the way they looked and spoke and aced was UNCANNY

-Freddie and Mary were so sweet and heartbreaking because they both obviously deeply cared for each other and seeing them break up was heartbreaking

-Freddie getting a room for each of his cats is a whole ass mood

-Roger was insanely quotable and easily had the biggest one-liners

-Jim and Freddie were adorable and I loved watching them

-Live Aid was just powerful

-Roger hating Top of the Pops was relatable and hilarious but also hurt my soul hearing the plastic drums because those weren’t even good plastic drums 

-on that note how did the BBC even have the budget to afford those fake things posing as fake instruments? How???

-Seeing Freddie figure out he was bi hit super close to home for me because that’s a lot how I slowly came to the conclusion that I was bi and seeing Mary’s reaction to him telling her hurt because that also was how some people close to me reacted

-But by God hearing him say, “I think I’m bisexual” was healing for so many reasons one of them being I looked up to him for a good long while and having people erase his bisexuality and his relationship with Mary in favor of making his story that of a gay man was so hurtful and having a movie about him produced by two of his closest friends show him being bi and saying that he’s bi made his reality more public and it was super satisfying to see and hear for someone who realized she was bi around the same time she fell in love with Queen and Bowie it was great

-I wish we could’ve seen them recording with Bowie but we can’t have everything

-it was great and I look forward to seeing it again because I am and I will

Testing…Testing

buckyusuallytopstony:

lovelyirony:

@buckyusuallytopstony 

“March 27th, 1971,” comes from the video. There’s a baby gurgling, pudgy hands swiping for a bottle. “Subject has been given two doses of the serum over the course of six months, but shows no outward signs of change or internal. This is test three.” 

Howard insists on a Thanksgiving dinner. He serves Tony his own plate, cranberry sauce on turkey and mashed potatoes. A roll with butter on the side. 

“Thanks?” Tony questions, raising an eyebrow. “You’re being weird.” 

“Just eat your food,” Howard says. “It’s Thanksgiving, Anthony.” He shrugs. Puts the mashed potatoes into his mouth. 

Finishes everything on the plate. Howard waits until the last possible moment to go to his board meeting. There’s no change with Tony. 

They drink to celebrate early admittance into MIT. Howard pours the drinks. Tony wrinkles his nose as the taste hits the back of his throat. 

“God, this wasn’t aged correctly.” 

Howard is in his lab, recorder on. “It seems that the subject has had no effect with the serum. He is still…himself.” Not strong. Not America’s next hero. Just…just another Stark, and not even Howard at that. “Will resolve to end the testing.” 


Tony doesn’t notice it until he hits around twenty-nine. Usually, something changes in the diet, in the intake of food. He should be slowing down, just a little bit. But he isn’t. He’s not even aging. He still looks like he’s twenty-two and straight out of Monaco from a vacation. 

He wants to know why. 

Finds out his genetic sequence is really fucked up. 

And then he accesses Howard’s archives, something Tony swore he’d never touch for the longevity of his life. 

His own father hadn’t even called him his own fucking name. It was subject. He had been experimenting on Tony for years, fucking decades. And all to see if Tony could finally measure up to perfectly little Captain America, paragon of virtue and manliness. Not a son who was “off,” not a son who was too sarcastic and too much of a freak. 

He decides he needs to learn how to do make-up, special effects. 

Makes a new technology that he sells to SHIELD as disguise-wear, and they don’t even think that he’s using it on himself. 

At least he looks his age now. Drinks to that. 

He can barely get drunk. He used to just think he had the tolerance of a damned giant. Now he knows that he was forced to be that way, and he didn’t even know. 

Howard had a lot of “special occasion” bottles of choice. 

He drank them all on an uneventful Wednesday, and only woke up with a slight hangover that was gone by eleven. He felt a little bit vicious, a little bit prideful. 

Tony Stark is not Howard Stark’s Son anymore. He’s Tony Stark, inventor of the brand new, revolutionary phone, the weapons that make terrorists shake in fear, and Tony Stark, the Best One. 

(Turns out he’s still as shitty as he always thought he was, he makes weapons that others sell because they can, and he really should’ve known about it, but stupid fucking Obie–) 

He survives Afghanistan because of the serum. He knows it. He can feel his chest slowly on the mend, but it won’t be enough. 

He becomes Tony Stark, pioneer for renewable energy and Iron Man. God, he loves Iron Man. He’s his own hero, and he cries when he sees a little girl in her red-and-gold tutu, grinning up at him through face paint. 

“Hi Mr. Iron Man!” 

He grins at her, signing a postcard. “Keep doing your thing, kiddo.” 


They find him. He can’t even believe it. He drops the scotch, drops the ball. Shows more emotion than he should. Coulson probably realizes it. 

Steve Rogers, of course, hates him. Because why not? Everyone else should, and it’s a damned miracle that Rhodey, Pep, and Happy don’t. Or maybe they do, and they like their perks and paychecks too much to say anything. 

But…

Over the course of a couple months, things start to get better. Steve kind of thinks that Tony isn’t as bad as before? Natasha is nicer now, and they have drinking nights when everything is too much. 

“I’m surprised at your tolerance,” she says one day. “You drink like I do.” 

“Yeah, well, I’ve had more years of experience.” 

“Have you?” she teases. “I’m Russian.” 

“I’ll drink to that,” he replies in her native tongue, sipping on wine more expensive than anything she’s ever seen. He’s like that. So casual with all the dripping decadence surrounding him. 

They find Sergeant Barnes. Tony asks Steve how many Commandos he’s actually planning on having back, because he had met Dernier, and not all of them had to come back. (Uncle Jacques had been an asshole, but a funny one who could teach how to flirt in French.) 

Steve just smiles sadly. 

He needs a new arm, but no one knows how to give him an arm. The traditional cocktail of drugs won’t work, and Steve has a higher concentration of the serum. 

Bucky and Tony are almost an exact match. Not that Bucky knows that, but then again, he probably also couldn’t tell the average Joe how to work an oven. The expression in his eyes is heartbreaking, devastating to see. He has lived too much of this life, but he does not remember it. (It would be such a Mood if it wasn’t so damn depressing.) 

After Tony sees Bucky whimpering in pain over the arm when he thinks no one can see him, that settles it. 

Tony drags out the tapes. Ignores how fast his heart beats, ignores how Friday asks him if he would like some chamomile tea because “your heart is at an alarming, rate, Sir.” 

“I’m used to it, honey pie. Come on, let’s see those tapes.” 

He studies them. Drinks a shit ton. He thinks it’s three bottles? It’s high alcohol-proof, so he can actually feel a little bit more buzzed than usual after three. God, isn’t it sad that this is his life? Putting on make-up to advance his actual face, dying his hair to go gray. (It’s fashionable, no?) 

He grimly takes another sip of scotch and writes down that if they up the levels of morphine, it might work. Like, a ninety-two percent success. Which is pretty good. 

Tony Stark gets to the last tape. 

“I am delivering more serum to the facility, and the house. I am thinking that the subject might react more positively with more serum, perhaps I should do this in a hospital scene–” 

He breaks down. Of course he does, twenty years too damn late. He can’t stop crying, ugly tears burning hot tears. Make-up streaks. He’s breaking at an alarming rate. 

Friday alerts Rhodey, which alerts the rest of the team. 

Tony is tired, and sad. They see more of his life. 

“Tony…” Rhodey says, eyes wide. “Tony, what the hell did that monster do to you?” 

Tony looks up, alarmed. “What the hell are you guys doing here without access?” 

“Friday was concerned,” Rhodey answers. “As she should be, considering you never told me or anyone else that Howard injected you with serum and you were…” 

There are bottles lying on the floor. Tony is drunk. 

Bucky stares at him. 

“You’re like me.” 

“Had a little bit more time to be a fuck-up,” Tony says. “And that was by my choice.” 

Bucky makes the first show of contact since his return two months earlier. It’s large. 

It’s a hug. 

YES 👏🏻👏🏻👏🏻👏🏻 I’m loving this!!!

buckyusuallytopstony:

buckyusuallytopstony:

Au where Howard tried to recreate the Super Soldier Serum, but would test them on Tony so he’s not actually 100% normal. It turns out that he’s intentionally putting grey in his hair and using makeup to put wrinkles on his face.

When the Avengers and Bucky come back to the Tower Tony wants to replace Bucky’s arm; however, he doesn’t know what types of drugs would be needed in order to put him under so Tony can replace the shoulder docking. So Tony ends up having to watch Howard’s old research videos of Tony being injected to find out what exactly the Serum is made from and what he needs in order to make an effective surgical anesthesia for Bucky.

And that’s how the team finds Tony. On a drinking binder surrounded by tapes holding his darkest secret.

Tony knew his dad was a busy man so he tried not to get too disappointed whenever his dad couldn’t make time for him. Besides, children games were a waste of time. But sometimes, when he was really good, Howard would let Tony into his lab and tell him stories about Captain America. They would even reenact them!

Howard would put one of those sticky electrode pads on Tony’s chest and one on each side of his temple. Then he’d start the story of Captain America being the small Steve Rogers before he got the Super Serum! Howard would then stick him with a needle, “Look at the camera, boy. We’re making history.”

Tony Stark was 4 years old when he died for the first time, but he didn’t know that until decades later when he’s watching the film reels. He watches as his younger self goes stiff before crumpling to the floor, the machine off to the side lets out screeches as he flatlines, and Howard rushing forward. It was only chaotic for a few seconds then the heart monitor ceases its piercing wail and instead goes back to beeping a steady rhythm. The on-screen Tony lets out shuddering sobs, trying so hard to hold it in and not disappoint his dad, but Tony can remember how much waking up had hurt. It hurt so fucking much.

“That’s enough of that,” Howard’s tone doesn’t hold its usual bite as he rubs his sons back. “Stark men are made of iron. Stark men don’t cry.”

The reel plays on and Tony, feeling detached, watches as Howard ushers past-Tony out of the room. The screen does black for a second then picks back up with Howard leaning against a table. Tony remembers this; it was just a few days after the lab “incident”, as Howard refered to it, and Tony feels an odd sort of glee as his younger self ruins Howard’s shot.

Everything goes red as the reel comes to an end. Tony knew, he fucking knew for years, but hearing Howard’s message at the end was the confirmation that he never wanted. Tony was Howard’s son by blood, but he changed that when he decided to make Tony a Captain America 2.0. Howard poked and injected him with so many things that his DNA is probably different; he was only anther project creation that proves how much Howard wanted to play God. Tony’s chest hurts in a way that has nothing to do with the arc reactor and, not for the first time, he wishes he could get blackout drunk like he could at MIT.